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  Extraditing Coke...
  An exclusive investigation into Jamaica's handling of a US extradition request which led to a state of emergency across the capital and the murder of up to 200 people. To the people of Tivoli Gardens, Christopher Coke is the "president" - but he is also considered one of the most dangerous narcotics kingpins in the world by the US justice department. Al Jazeera English went beyond the headlines to discover who the man accussed of drugs and weapons smuggling really is.
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  Czerny: Etude in Db, op. 740 no. 25...
  BACHSCHOLAR'S RECORDINGS AVAILABLE AT AMAZON!! www.amazon.com Czerny Playlist!! www.youtube.com This is etude no. 25 from Czerny's monumental "Art of Finger Dexterity", op. 740. I realize this is slower than usually heard, but even Czerny etudes are, first and foremost music, and like all music faster is not always better. I could play this faster if I wanted to, but choose not to. But even if I were to play it as fast as possible, I'm sure many pianists could play it faster. I do not play Czerny etudes to show off and prove how fast I can play, but rather simply because I like the music. Profound, isn't it? Here is my philosophy on speed or velocity. Many pianists believe all Czerny etudes must be played as fast as possible since they were intended as exercises. If this is true, then all of Scarlatti's sonatas should be as fast as possible also, since he called them "esercize" (exercises). Bach also considered his Partitas and Goldberg Variations as "exercises", among many other collections, so I guess they should also be played as fast as possible. Of course I am being facetious, but I am trying to make the point that velocity in itself is a very easy way to ruin music, even in etudes and exercises. Sviatoslav Richter holds the world's record for the fastest performance of Chopin's op. 10 no. 4 etude (here on YouTube). As impressive a technical feat as it is though, the music suffers. I can name many better performances of this etude, all of which are slower. This <b>...</b>
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  The Science of Truth and Reality...
  Reading associated with this video: Martin Heidegger - On the Essense of Truth (14 pp) @ filepedia.org New found discoveries unintelligible by previous limitations of technology and scientific method should not be seen as attacks against our sciences, but rather a need to expand our hypotheses of the sciences to account for their place in the bigger picture. Science at its heart is concerned with finding the truth of what is -- which by its own virtue attempts to leap over our constantly developing subjective hypotheses of the world around us -- calling our discoveries the actual true objective states. In this process, science is forced to take on the appearance that its method is conscious to all the possible phenomena, even those beyond the current potential of our microscopes, methods and exposure of the universes beyond our grasp. When science claims what is the actual objective state of the infinite, science is no longer understood as just a hypothesis created by the knowledge that presupposes the design of its own system. A system that is created by and limited to the current lens and methods of science at the time and is also considered the guidelines for proving what is possible or true. When science is used to claim things as the ultimate possibility of the objective, it conceals the new scientific breakthroughs and discoveries outside of its own limitations and sometimes goes as far as discrediting its possibility prior to investigating the biggest <b>...</b>
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  Dumbo (1941) HD Part 6...
  Directed by Ben Sharpsteen Produced by Walt Disney Written by Novel Helen Aberson Harold Pearl Story Otto Englander Joe Grant Dick Huemer Narrated by John McLeish Starring Edward Brophy Herman Bing Margaret Wright Sterling Holloway Cliff Edwards Music by Frank Churchill Lance Husher Studio Walt Disney Pictures Distributed by RKO Radio Pictures Release date(s) October 23, 1941 Running time 64 minutes Country United States Language English Budget $813000 Gross revenue $1600000 Dumbo is a 1941 American animated film produced by Walt Disney and released on October 23, 1941, by RKO Radio Pictures. The fourth film in the Walt Disney Animated Classics series, Dumbo is based upon a child's book of the same name by Helen Aberson and illustrated by Harold Pearl. The main character is Jumbo Jr., a semi-anthropomorphic elephant who is cruelly nicknamed Dumbo. He is ridiculed for his big ears, but in fact he is capable of flying by using his ears as wings. Throughout most of the film, his only true friend, aside from his mother, is the mouse, Timothy — a relationship parodying the stereotypical animosity between mice and elephants. Dumbo was made to recoup the financial losses of Fantasia. The film has been criticized as being racist (the leader crow in the film is named "Jim Crow"), yet is also considered to be one of Disney's finest films. It was a deliberate pursuit of simplicity and economy for the Disney studio, and is now generally regarded as a classic of animation. At 64 <b>...</b>

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  Michael Jackson's This Is It - They...
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  Pink Glove Dance...
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  Lady Gaga - Just Dance ft. Colby O'...
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